CONTENTS OF VOLUME XVI (1999)

NUMBER 1
    
The Fauve Woodcut by STEPHEN COPPEL     3
Carborundum Mezzotint and Carbordundum Etching by CINDY MEDLEY-BUCKNER     34
Marcantonio as Book illustrator by SILVIA URBINI     50
This horryble monster: An Anglo-German Broadside of 1531by SHEILA O'CONNELL and DAVID PAISLEY     57
Notes     64
Rembrandt's Watermarks by MARTIN ROYALTON-KISCH     78
William Henry Pyne by DAVID ALEXANDER     79
Géricault by PAUL JOANNIDES     81
The Lithographs of Whistler by MARTIN HOPKINSON     83
British Prints in Ottawa by SARAH HYDE     89
From Goya to Picasso by HELENA BATLLE I ARGIMON     91
Poster Power by CELINA FOX     95
John J. A. Murphy and Cecil Buller by PATRICIA AINSLIE     96
William Gropper by REBA WHITE WILLIAMS     98
Prints at the Tate by PAT GILMOUR     100

NUMBER 2
    
William Holland's Satirical Print Catalogues 1788-94 by SIMON TURNER     127
with an appendix: The Identifcation of Prints in Holland's 1794 Catalogue by DAVID ALEXANDER     136
Prints on the American Frontier by RAYMOND L. WILSON     139
Fifteenth-century Prints in Czech Collections by WALDEMAR DELUGA     148
More on Large Noses by DANIEL HORST     158
The Prints of J. D. Fergusson by MARTIN HOPKINSON     163
Notes     167
Stefano della Bella by PHYLLIS DEARBORN MASSAR     179
The Print in Stuart Britian by DAVID McKITTERICK     181
John Bell's Theatrical Portraits by DAVID ALEXANDER     183
Angels and Urchins by ANTHONY MOULD     186
Spanish Printmaking by MARK P. MCDONALD     188
Adirondack Prints by REBA WHITE WILLIAMS     191
Israeli and Palestinian Political Posters by DAVID CROWLEY     193
A Handbook of English Printmaking? by PAT GILMOUR     195

NUMBER 3
    
The Horn of Suretyship by MALDOLM JONES     219
Graphic Art in Poland, 1890-1914 by IRENA KOSSOWSKA     229
California, Scotkland and Paris: The Prints of Leslie Hunter by MARTIN HOPKINSON     247
The Massacre of the Innocents after Francesco Salviati by SUZANNE BOORSCH     266
Notes     273
Cornelis Floris by PETER FUHRING     283
The Illustrated Bartsch: The Carracis by D. STEPHEN PEPPER     290
Prints and Musketeers by ANTONY GRIFFITHS     296
The English Print in the Eighteenth-century by RICHARD GODFREY     298
Delacroixby  JANE MUNRO     299
World War II Posters in the United Statesby  ANGELA WEIGHT     302
Julian Trevelyan's Prints by PETER BLACK     304

NUMBER 4
    
The Preparation for the Sabbath by Jacques de Gheyn II: the Issue of Inversion by CLAUDIA SWAN     327
Nathaniel Spark's Printing of Whistler's Etchings by MARTIN HOPKINSON     340
Buenos Vecinos: African-American Printmaking and the Taller de Gráfica Popular by ALISON CAMERON     353
Marcantonio and Raphael by LISA PON     368
Notes     370
Early Italian Prints in Zurich by THOMAS E. RASSIEUR     392
Printmaking in Antwerp by PETER PARSHALL     395
Italian Ornament Prints by MICHAEL BURY     396
Weirotter by ANTONY GRIFFITHS     399
Thomas Allom by RALPH HYDE     400
Notre-Dame by MICHELE HANNOOSH     403
Anselm Kiefer by JAMES HYMAN     404

 

 

Editor: Rhoda Eitel-Porter

Editorial Board:
Clifford Ackley, David Alexander, Judith Brodie, Michael Bury, Paul Coldwell, Marzia Faietti, Richard Field, Celina Fox, David Freedberg, Pat Gilmour, Antony Griffiths, Craig Hartley, Martin Hopkinson, David Kiehl, Fritz Koreny, David Landau, Ger Luijten, Giorgio Marini, Jean Michel Massing, Mark McDonald, Nadine Orenstein, Peter Parshall, Maxime Préaud, Christian Rümelin, Michael Snodin, Ellis Tinios, Henri Zerner.

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